The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento

The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento
Author :
Publisher :
Total Pages : 0
Release :
ISBN-13 : OCLC:1404926546
ISBN-10 :
Rating : 4/5 ( Downloads)

Book Synopsis The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento by : Andrew Michael Webster

Download or read book The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento written by Andrew Michael Webster and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento Related Books

The embedded self-portrait in Italian sacred art of the Cinquecento and early Seicento
Language: en
Pages: 0
Authors: Andrew Michael Webster
Categories:
Type: BOOK - Published: 2013 - Publisher:

DOWNLOAD EBOOK

The Involuntary Self-portrait
Language: en
Pages: 0
Authors: Moritz Lampe
Categories:
Type: BOOK - Published: 2022 - Publisher:

DOWNLOAD EBOOK

Dosso's Fate
Language: en
Pages: 436
Authors: Dosso Dossi
Categories: Art
Type: BOOK - Published: 1998 - Publisher: Getty Publications

DOWNLOAD EBOOK

Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many
The Muddied Mirror
Language: en
Pages: 188
Authors: Jodi Cranston
Categories: Figurative painting
Type: BOOK - Published: 2010 - Publisher: Penn State University Press

DOWNLOAD EBOOK

Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather t
Titian Remade
Language: en
Pages: 220
Authors: Maria H. Loh
Categories: Imitation in art
Type: BOOK - Published: 2007 - Publisher: Getty Publications

DOWNLOAD EBOOK

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the ca