The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided

"In 1972, the filmmaker John Luther Schofill lured two promising students, Bill Brand and Louis Hock, to the School of the Art Institute of Chicago to join the

This first-ever study of Swedish experimental film represents the results of a Swedish Research Council initiative in 2006--2008. The essays address the institu

Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tr