Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextens

Through the study of a large variety of musical practices from the U.S.-Mexico border, Transnational Encounters seeks to provide a new perspective on the comple

The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musi

Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the crea

Addressing the themes of: music and history; tradition versus innovation; cultural diversity/intercultural creativity; and music and the related arts; this book