Since 9/11, America has presented itself to the world as a Christianist culture, no less antimodern and nostalgic for an idealized past than its Islamist foes.

Since 9/11, America has presented itself to the world as a Christianist culture, no less antimodern and nostalgic for an idealized past than its Islamist foes.

"As I write this, I'm sitting in a restaurant in a major U.S. airport, eating my breakfast with a plastic knife and fork. I worked up quite an appetite getting

Counternarrative Possibilities reads Cormac McCarthy's Westerns against the backdrop of two formative tropes in American mythology: virgin land (from the 1950s)

In her discussion of both modern and ancient Greek texts, she reconsiders mainstream poetics in the light of a marginal national literature. Leontis examines in