Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of pho

'Forget Me Not' explores the relationship between photography and memory and shows how ordinary people have sought to strengthen the emotional appeal of photogr

There is no more gruesome and tragic record in the history of the twentieth century than the photographs taken at the liberation of the concentration camps in G

A collection of photographs of the Mexican artist Frida Kahlo by the Hungarian-born photographer Nickolas Muray. Kahlo met Muray in Mexico in 1931, and they beg

AcknowledgmentsI: Collective Memories, Images, and the Atrocity of War II: Before the Liberation: Journalism, Photography, and the Early Coverage of Atrocity II