Cinema without Reflection traces an implicit film theory in Jacques Derrida’s oeuvre, especially in his frequent invocation of the myth of Echo and Narcissus.

With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as ente

Michelangelo Antonioni, who died in 2007, was one of cinema’s greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s—L�

Essays discuss movies and movie directors, including Truffaut, Hitchcock, Ford, Lang, Altman, and Leone

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity