In Victorian Writing about Risk, first published in 2000, Elaine Freedgood explores the geography of risk produced by a wide spectrum of once-popular literature

Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The

In An Age of Risk, Emily Nacol shows that risk, now treated as a permanent feature of our lives, did not always govern understandings of the future. Focusing on

Nineteenth-century life and literature are full of strange accounts that describe the act of one person thinking about another as an ethically problematic, some

Examining social and material dimensions of collaboration, this book reveals the diverse networks of nineteenth-century literary exchange.