Describes the Russian rock music counterculture and how it is changing in response to Russia's transition from a socialist to a capitalist society. It explores

St. Petersburg: from space of representation to embattled public sphere -- Nihilism: self-fashioning and subculture in the city -- Underground pioneers -- To th

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s