Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Vien

Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between

Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.