A study of the practices and politics of early modern publishers of plays.

Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’

Through short, provocative readings of unfamiliar plays, this book provides the first ever history of the canon of Renaissance drama.

In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern

The purpose of this book is to honor the scholarly legacy of Charles R. Forker with a series of essays that address the problem of literary influence in origina