In Otherness in Hollywood Cinema, Michael Richardson argues that the Hollywood system has been the only national cinema with the resources and inclination to ex

In Otherness in Hollywood Cinema, Michael Richardson argues that the Hollywood system has been the only national cinema with the resources and inclination to ex

Foreign Devils investigates representations of exile in Hollywood cinema from 1930 to 1956 through the films of Peter Lorre, Béla Lugosi, and Conrad Veidt. Thi

Examines popular films made in Hollywood by European directors, offering a fresh take on the much-debated issue of the "great divide" between modernism and mass