Contemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. In Appreciating

Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions

“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a

This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit

Information on Projects to Advance Creativity in Education in the form of a compilation of planning and operational grants.