A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Drisk

Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements wit

Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesc